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JAZZ SPECTACULAR -FRANKIE LAINE & BUCK CLAYTON and his Orchestra CD SEALED -1999

Description: Frankie Laine: Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer and songwriter whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many Western film soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as country and western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit. He also did not sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the U.K. chart, 64 years after his first major U.S. hit and four years after his death. Buck Clayton And His Orchestra: Buck Clayton (born November 12, 1911, Parsons, Kansas, U.S.—died December 8, 1991, New York, New York) was an American jazz musician who was the star trumpet soloist of the early, classic Count Basie orchestra and, thereafter, was an outstanding soloist and successful arranger. At age 21 Clayton moved to California, where he played trumpet and organized one of the first jazz bands to play an extended Asian engagement, in Shanghai, China (1934–36). He then joined Count Basie in 1936 and remained with the band until 1943, through Basie’s greatest period, during which time Clayton also played in important Billie Holiday, Teddy Wilson, and Lester Young recordings. Louis Armstrong was Clayton’s principal early inspiration, though Clayton abandoned Armstrong’s dramatic qualities, preferring to concentrate on melody. A cup mute frequently gave his trumpet a distinctive swing-era sound, while his open-horn playing was warm and masterful. He also arranged for the Basie band (“Goin’ to Chicago Blues”). After playing in U.S. Army bands in 1943–46, Clayton became one of the most active swing players of the postwar years, touring Europe and playing in America with the Jazz at the Philharmonic troupe, as leader of his own groups, and as sideman with Jimmy Rushing, Benny Goodman, and others. He led bands of swing soloists in a noted series of “jam session” recordings, including The Hucklebuck/Robbins’ Nest (1953) and All the Cats Join In (1956). After illness forced him to give up the trumpet, he taught at Hunter College, New York City, and led bands that played his arrangements. His autobiography (written with Nancy Miller Elliott), Buck Clayton’s Jazz World (1986), includes a discography. The National Endowment for the Arts named Clayton a Jazz Master in 1991. J. J. Johnson: J. J. Johnson (January 22, 1924 – February 4, 2001), born James Louis Johnson and also known as Jay Jay Johnson, was an American jazz trombonist, composer and arranger. Johnson was one of the earliest trombonists to embrace bebop. After studying the piano beginning at age 9, Johnson decided to play trombone at the age of 14. In 1941, he began his professional career with Clarence Love, and then played with Snookum Russell in 1942. In Russell's band, he met the trumpeter Fats Navarro, who influenced him to play in the style of the tenor saxophonist Lester Young. Johnson played in Benny Carter's orchestra between 1942 and 1945 and made his first recordings in 1943 under Carter's leadership, recording his first solo (on "Love for Sale") in October 1943. In 1944, he took part in the first Jazz at the Philharmonic concert, presented in Los Angeles and organized by Norman Granz. In 1945, he joined the big band of Count Basie, touring and recording with him until 1946. In 1954, producer Ozzie Cadena, then with Savoy Records, convinced Johnson to set up a combo with trombonist Kai Winding: the "Jay and Kai Quintet". The trombone styles and personalities of the two musicians, although very different, blended so well that the pairing, which lasted until August 1956, was a success both musically and commercially. They toured U.S. nightclubs and recorded numerous albums. The duo reunited again in 1958 for a tour of the UK, an Impulse! studio album in 1960 and, in 1968–1969, (two albums for CTI/A&M Records). In January 1967, Johnson and Winding were in an all-star line-up (alongside the likes of Clark Terry, Charlie Shavers and Joe Newman) backing Sarah Vaughan on her last sessions for Mercury Records, released as the album Sassy Swings Again, with three of the cuts, including Billy Strayhorn's "Take the "A" Train", being arranged by Johnson himself. The duo also made some jazz festival appearances in Japan in the early 1980s, the last shortly before Winding died in May 1983. Kai Winding: Kai Chresten Winding (/ˈkaɪ ˈwɪndɪŋ/ KY WIN-ding; May 18, 1922 – May 6, 1983) was a Danish-born American trombonist and jazz composer. He is known for his collaborations with fellow trombonist J. J. Johnson. His version of "More", the theme from the movie Mondo Cane, reached in 1963 number 8 in the Billboard Hot 100 and remained his only entry here. Winding was born in Aarhus, Denmark. His father, Ove Winding was a naturalized U.S. citizen, thus Kai, his mother and sisters, though born abroad were already U.S. citizens. In September 1934, his mother, Jenny Winding, moved Kai and his two sisters, Ann and Alice. Kai graduated in 1940 from Stuyvesant High School in New York City and that same year began his career as a professional trombonist with Shorty Allen's band. Subsequently, he played with Sonny Dunham and Alvino Rey, until he entered the United States Coast Guard during World War II. After the war, Winding was a member of Benny Goodman's orchestra, then Stan Kenton's.[2] He participated in Birth of the Cool sessions in 1949, appearing on four of the twelve tracks, while J. J. Johnson appeared on the other eight, having participated on the other two sessions. In 1954, at the urging of producer Ozzie Cadena, Winding began a long association with Johnson, recording trombone duets for Savoy Records, then Columbia. He experimented with instruments in brass ensembles. The album Jay & Kai + 6 (1956) featured a trombone octet and the trombonium. He composed and arranged many of the works he and Johnson recorded. During the 1960s, Winding began an association with Verve Records and producer Creed Taylor. He released the first version of "Time Is On My Side" in 1963 before it was recorded by Irma Thomas and The Rolling Stones. His best-selling recording from this period is "More," the theme from the movie Mondo Cane, which reached number 8 in the Billboard Hot 100 and remained his only entry here. Arranged and conducted by Claus Ogerman, "More" featured what is probably the first appearance of the French electronic music instrument the ondioline on an American recording. Although Winding was credited with playing the ondioline, guitarist Vinnie Bell, who worked on the session, claimed that it was played by Jean-Jacques Perrey, a pioneer of electronic music. Winding experimented with ensembles again, recorded solo albums, and one album of country music with the Anita Kerr Singers. He followed Creed Taylor to A&M/CTI and made more albums with J. J. Johnson. He was a member of the all-star jazz group Giants of Jazz in 1971. His son, Jai Winding, is a keyboardist who has worked as a session musician, writer and producer in Los Angeles. Kai Winding was taken to a hospital because of a reoccurring brain disease that he found out about while in Yonkers, New York, and later died from complications there sometime in 1983 Frankie Laine And Buck Clayton and His Orchestra Featuring J. J. Johnson* And Kai Winding – Jazz SpectacularLabel:Columbia – CK 65507, Legacy – CK 65507Series:Columbia Legacy All Time ClassicsFormat:CD, AlbumCountry:USReleased:1999Genre:Jazz, PopStyle:Vocal, SwingTrack list:1S'posin'Written-By – Razaf*, Denniker*Written-By – Razaf*, Denniker*2Stars Fell On AlabamaWritten-By – Perkins*, Parish*Written-By – Perkins*, Parish*3Until The Real Thing Comes AlongWritten-By – Nichols*, Freeman*, Holiner*, Cahn*, S. Chaplin*Written-By – Nichols*, Freeman*, Holiner*, Cahn*, S. Chaplin*4My Old FlameWritten-By – A. Johnston*, Coslow*Written-By – A. Johnston*, Coslow*5You Can Depend On MeWritten-By – Carpenter*, Hines*, Dunlap*Written-By – Carpenter*, Hines*, Dunlap*6That Old FeelingWritten-By – Lew Brown, Fain*Written-By – Lew Brown, Fain*7Taking A Chance On LoveFeaturing – J. J. Johnson*, Kai WindingWritten-By – Latouche*, Fetter*, Duke*Featuring – J. J. Johnson*, Kai WindingWritten-By – Latouche*, Fetter*, Duke*8If You Were MineWritten-By – Mercer*, Malneck*Written-By – Mercer*, Malneck*9Baby, Baby All The TimeWritten-By – Troup*Written-By – Troup*10Roses Of PicardyFeaturing – J. J. Johnson*, Kai WindingTrombone – Lawrence BrownWritten-By – Weatherly*, Wood*Featuring – J. J. Johnson*, Kai WindingTrombone – Lawrence BrownWritten-By – Weatherly*, Wood*11You'd Be So Nice To Come Home ToCreditsAlto Saxophone – Hilton JeffersonBaritone Saxophone – Dave McRaeBass – Milt HintonGuitar – Clifton Best*Liner Notes – Charles L. Granata*, Irving TownsendPiano – Sir Charles ThompsonProducer – Charles L. Granata*, Didier C. DeutschProject Manager – Charles L. Granata*Tenor Saxophone – Budd JohnsonTrumpet – Buck Clayton, Ray CopelandNotesU.S. CD issue with one extra trackBarcode and Other IdentifiersBarcode: 074646550724

Price: 15 USD

Location: Simi Valley, California

End Time: 2025-01-06T19:37:04.000Z

Shipping Cost: 0 USD

Product Images

JAZZ SPECTACULAR -FRANKIE LAINE & BUCK CLAYTON and his Orchestra CD SEALED -1999JAZZ SPECTACULAR -FRANKIE LAINE & BUCK CLAYTON and his Orchestra CD SEALED -1999JAZZ SPECTACULAR -FRANKIE LAINE & BUCK CLAYTON and his Orchestra CD SEALED -1999

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: Frankie Laine, Jo Jones, Milt Hinton, Sir Charles Thompson, Ray Copeland, J. J. Johnson, Kai Winding

CD Grading: Mint (M)

Composer: Various

Record Label: Columbia Legacy Classics

Release Title: Jazz Spectacular

Case Type: Jewel Case: Standard

Case Condition: Mint (M)

Inlay Condition: Mint (M)

Type: Album

Format: CD

Language: English

Release Year: 1999

Producer: Charles L. Granata*, Didier C. Deutsch

Era: 1990s

Instrument: Trumpet, Voice

Style: Traditional/Vocal, Swing

Features: Compilation, Original Cover, Original Inner Sleeve, Sealed

Conductor: Buck Clayton

Genre: Jazz, Pop

Country/Region of Manufacture: United States

Performer Orchestra: Busk Clayton & his Orchestra

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