Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Nicolaes Berchem (Dutch, 1621/22-1683)Title: The Herdsman Medium: Antique engraving on wove paper after the original by master engraver James Baylis Allen (British, 1803-1876).Year: 1859Condition: ExcellentDimensions: Image Size 7 3/8 x 10 1/8 inches. Framed dimensions: Approximately 16 x 19 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This impression is more than 160 years old. The strike is crisp and the lines are sharp. Additional notes:A herdsman holding a long pole, standing on a riverbank behind two cattle, near a woman, riding side-saddle on a donkey with a decorated head-piece and muzzle, surrounded by sheep, another donkey, and cattle, approaching at right on a slope, where a woman is seen tending to a child; three cattle wading in the water near the left bank, and a rider talking to a figure behind; trees and hills in background at left, and in the distance at right, beyond two towers. Artist Biography:Nicolaes Pieterszoon Berchem was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks. Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Pieter de Grebber, Jan Baptist Weenix, Jan Wils and Claes Cornelisz. Moeyaert. According to Houbraken, Carel de Moor told him that Berchem got his name from two words "Berg hem" for "Save him!", an expression used by his fellows in Van Goyen's workshop whenever his father chased him there with the intent to beat him. No trip or Grand Tour by Berchem was documented by Houbraken though he mentioned another story about the "Berg hem!" nickname which came from Berchem's conscription as a sailor; the man in charge of impressment knew him and sent him ashore with the words "Save him!". Today his name is assumed to come from his father's hometown of Berchem, Antwerp. According to the RKD he traveled to Italy with Jan Baptist Weenix, whom he called his cousin, in 1642-5. Works by him are signed both as "CBerghem" and "Berchem". painting of landscape with castle in background A View of Burg Bentheim (1651) by Jacob van Ruisdael Nicolaes Berchem's painting of same landscape with castle A View of Burg Bentheim (c. 1656) Nicolaas Berchem In 1645 he became a member of the Dutch reformed church and married the year after. According to Houbraken he married the daughter of the painter Jan Wils, who kept him on a short allowance, but to finance his collection of prints he would borrow money from his pupils and colleagues and pay them back from the proceeds of paintings that he didn't tell her about. Around 1650 he travelled to Westphalia with Jacob van Ruisdael, where a dated piece showing Burg Bentheim is recorded. Maybe Berchem went to Italy after this trip and before he moved to Amsterdam - he is not clearly documented in the Netherlands between 1650 and 1656. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. In 1661-1670 he is registered in Amsterdam and in 1670 he moved back to Haarlem, but was living back in Amsterdam by 1677, where he died in 1683. He was a popular teacher and his pupils were Abraham Begeyn, Johannes van der Bent, his son Nicolaes, Isaack Croonenbergh, Simon Dubois, Karel Dujardin, Johannes Glauber, Pieter de Hooch, Jacob van Huchtenburg, Justus van Huysum, Dirk Maas, Hendrick Mommers, Jacob Ochtervelt, Willem Romeyn and possibly Jan Frans Soolmaker. He was the uncle of Govert van der Leeuw and his brother Pieter. The French Rococo painter Jean-Baptiste Pillement was influenced by his works, as was the Dutch 'Cleves Romanticism' landscape painter, Barend Cornelis Koekkoek. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. 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Price: 239 USD
Location: Cape Coral, Florida
End Time: 2024-09-29T04:08:00.000Z
Shipping Cost: N/A USD
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Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
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Artist: Nicolaes Berchem
Date of Creation: 1800-1899
Material: Engraving
Framing: Framed
Subject: Landscape, Amimals, Pastoral
Size Type/Largest Dimension: Medium (Up to 30in.)
Type: Print
Framed/Unframed: Matted & Framed
Listed By: Dealer or Reseller
Year of Production: 1859
Features: Framed, Matted, Signed
Production Technique: Engraving
Print Type: Engraving
