NISMO

DRIVE BY TRUCKERS "LET THERE BE ROCK" 2002 LOST HIGHWAY 2VERS. NM PROMO CD SINGL

Description: NOTE: I SOMETIMES POST AS THE FIRST PHOTO ALL OF THE INDIVIDUAL ELEMENTS OF THE CD'S, INCLUDING FRONT COVER, DISC & BACK INSERT PLUS ANYTHING ELSE, JUST AN F.Y.I. AND ALL CD'S COME IN JEWEL CASES UNLESS OTHERWISE NOTED. THANKS FOR LOOKING! BOB NOTE: MAIL RATES JUST WENT UP AGAIN...JUST AN F.Y.I. THIS CD COMES FROM MY TIME AT A NATIONAL RADIO NETWORK WHERE I WAS THE MUSIC AND PROMOTIONS DIRECTOR FOR NEARLY 20 YEARS. A RECENT FIND FROM A BOX IN MY STORAGE UNIT.THIS IS A PHOTO OF THE ACTUAL ITEM FOR SALE, SORRY IF THE PICTURE(S) ARE A BIT BLURRY. I HAVE OTHER ITEMS FOR SALE, CHECK OUT MY OTHER AUCTIONS, THANKS! AS I MENTIONED ABOVE FOR NEARLY 20 YEARS I WAS THE MUSIC & PROMOTIONS CORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK.... ALL CD'S COME IN A JEWEL CASE UNLESS STATED OTHERWISE. NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN'T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK 'EM UP, ON WIKI & DISCOGS, ETC. NOTE: I DO COMBINE SHIPPING. NOTE: I AM LISTING SOME PROMO CD SINGLES ARTIST: DRIVE BY TRUCKERS SONG TITLE: “LET THERE BE ROCK” 1. RADIO EDIT (3:39) 2. ALBULM VERS. (4:17) TRACK LISTING: SEE PHOTOS/ABOVE: RECORD LABEL: LOST HIGHWAY RECORDS CAT.#: MRNR 02346-2 YEAR: 2002 FROM THEIR “SOUTHERN ROCK OPERA” ALBUM. CONDITION: THIS CD IS OPENED BUT UNPLAYED IN NM+ CONDITION. BOTH INSERTS IN NM CONDITION NOT SOLD TO THE GENERAL PUBLIC SENT TO MUSIC MEDIA ONLY. PRINTED ON THE CD ARTWORK AND BACK TRAY INSERT “FOR PROMOTIONAL USE ONLY-NOT FOR SALE”. MORE INFO: THIS COMES FROM THE MUSIC LIBRARY OF A NATIONAL RADIO NETWORK. THIS CD IS OUT OF PRINT. ARTIST INFO: DRIVE BY TRUCKERS BIO/INFO- Drive-By Truckers have always been outspoken, telling a distinctly American story via craft, character, and concept, all backed by sonic ambition and social conscience. Founded in 1996 by singer/songwriter/guitarists Mike Cooley and Patterson Hood, the band have long held a progressive fire in their belly but with AMERICAN BAND, they have made the most explicitly political album in their extraordinary canon. A powerful and legitimately provocative work, hard edged and finely honed, the album is the sound of a truly American Band – a Southern American band – speaking on matters that matter. DBT made the choice to direct the Way We Live Now head on, employing realism rather than subtext or symbolism to purge its makers’ own anger, discontent, and frustration with societal disintegration and the urban/rural divide that has partitioned the country for close to a half-century. Master songwriters both, Hood and Cooley wisely avoid overt polemics to explore such pressing issues as race, income inequality, the NRA, deregulation, police brutality, Islamophobia, and the plague of suicides and opioid abuse. As a result, songs like “What It Means” and the tub-thumping “Kinky Hypocrites” are intensely human music from a rock ‘n’ roll band yearning for community and collective action. Fueled by a just spirit of moral indignation and righteous rage, AMERICAN BAND is protest music fit for the stadiums, designed to raise issues and ire as the nation careens towards its most momentous election in a generation. “I don’t want there to be any doubt as to which side of this discussion we fall on,” Hood says. “I don’t want there to be any misunderstanding of where we stand. If you don’t like it, you can leave. It’s okay. We’re not trying to be everybody’s favorite band, we’re going to be who we are and do what we do and anyone who’s with us, we’d love to have them join in.” Mike Cooley is somewhat more direct. “I wanted this to be a no bones about it, in your face political album,” he says. “I wanted to piss off the assholes.” AMERICAN BAND’s considerable force can in part be credited to the sheer musical strength of the current Drive-By Truckers line-up, with Hood and Cooley joined by bassist Matt Patton, keyboardist/multi-instrumentalist Jay Gonzalez, and drummer Brad Morgan – together, the longest-lasting iteration in the band’s two-decade history. AMERICAN BAND follows ENGLISH OCEANS and 2015’s IT’S GREAT TO BE ALIVE!, marking the first time DBT have made three consecutive LPs with the same hard-traveling crew. “This is the longest period of stability in our band’s history,” says Hood. “I think we finally hit the magic formula. It’s made everything more fun than it’s ever been, making records and playing shows.” Drive-By Truckers might have maintained constancy but Hood embraced change by moving his family to Portland, OR in July 2015, a physical shift which he says “opened the floodgates” to a batch of deeply felt, strikingly emotional new songs. Having recorded the bulk of their canon in Athens, GA, the band was also eager to reinvent their own surroundings. Memphis was considered but when DBT’s November 2015 tour wrapped in Nashville, the band decided to spend a few days at the legendary Sound Emporium getting a head start on the new record. Never ones to screw around in the studio, DBT cranked out nine new songs in just three 14-hour shifts, as ever with producer/engineer David Barbe at the helm. Coming in directly from the road put a head of steam behind the band, allowing them to lay it all out live on the floor, tracking songs like “Once They Banned Imagine” in little more than a single take. “We realized we had most of the record,” Hood says, “so we went back after the holidays for four more days, but ended up finishing it in three. We tend to usually take about two weeks to make a record so this was really quick.” “That was a lot of fun,” the Alabama-based Cooley says, “and a shorter drive for me.” Speed was of the essence, as DBT was determined to get their record out at the height of the 2016 election season. By their very nature, Drive-By Truckers has always been an inherently political act, “but this is the first time it’s been out there on the surface,” Cooley says, “No bones about it.” “I’ve always considered our band to be political,” Hood says. “I’ve studied and followed politics since I was a small kid. I got in trouble in third grade for a paper I wrote about Watergate – the teacher sent a note home to my parents saying I was voicing opinions about our president that she didn’t appreciate. That’s the one time I got in trouble at school where my parents sided with me.” “SOUTHERN ROCK OPERA was a pretty political record,” Cooley says. “But we hadn’t had our first black president yet. We hadn’t sat in the bleachers and watched the backlash, which, as acquainted as we are with racism, went beyond what anyone imagined it would be.” Political matters reared their head on 2014’s ENGLISH OCEANS, most explicitly on Cooley’s “Made Up English Oceans,” detailing the life and crimes of late Republican black ops master Lee Atwater. Hood further sharpened his own skills by penning an op-ed for the New York Times condemning the Confederate Flag and its vile role in Southern culture. “That was a major learning experience,” he says. “Working with an editor, how to streamline what I’m trying to say, how to find the most powerful part and get rid of some of the excess. It was really grueling but I was eager to take it on and learn as much as I could from it.” Hood delivered a finished draft to the Old Gray Lady and within moments, wrote the ferocious “Darkened Flags On The Cusp Of Dawn” on a borrowed guitar – his own gear in a moving van on its way to his family’s new home in Portland. The song, like so much of the album, is a direct response to 2014’s police shootings of unarmed African-Americans, a moment both Hood and Cooley see as the catalyst for their blunt new approach. Long haunted by the police shooting of a mentally ill neighbor in his former hometown of Athens, GA, Hood wrote “What It Means” in the heat of Ferguson, Staten Island, and the subsequent emergence of the Black Lives Matter movement. “It was all in my head and just kind of bubbling at the surface,” Hood says. “I think we knew early on that was the direction this record was going to go in.” Hood’s friend and collaborator for more than half their lives, Cooley was a on similar trip, reading, writing, and pondering the very same issues that rend the country in two. “We have conversations about all this stuff,” he says, “but not necessarily in terms of planning an album or anything. Then we go home, he writes a song, I write a song, and they’re both basically about the same thing.” “We tend to come to the same conclusions separately but together,” Hood says. “We don’t really discuss it until we have a bunch of songs. We’ve always been astounded at how much common ground our songs have, record after record. SOUTHERN ROCK OPERA is the only time we discussed a game plan for what we were going to write, the only time. It’s kind of uncanny. Truly a beautiful thing.” NOTE: INTERNATIONAL MAIL IS BACK TO 1st CLASS INTERNATIONAL AND IS BASED ON LOCATION OF COUNTRY & WEIGHT OF THE ITEM, PLEASE NOTE I DO NOT SHIP TO ALL COUNTRIES, PLEASE CHECK THE SHIPPING INFO TO MAKE SURE I SHIP TO YOUR COUNTRY BEFORE BUYING/BIDDING. SINCE U.S. POSTAL RATES RECENTLY WENT UP I AM NOW OFFERING THE OPTION OF 1st CLASS OR MEDIA MAIL FOR THE U.S. & IT'S TERRITORIES, MEDIA MAIL GOES GROUND TRANSPORT SO WILL TAKE A LITTLE LONGER, BUT IT IS CHEAPER, ALSO IF YOU WANT PRIORITY, THAT IS AN OPTION TOO. PLEASE PAY FOR ALL ITEMS WITHIN 4 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN ONE WORKING DAY ONCE PAYMENT IS RECEIVED. NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN, IF YOU NEGLECT TO PAY I WILL PUT YOU ON MY “BLOCKED BIDDER” LIST.

Price: 4.99 USD

Location: Los Angeles, California

End Time: 2024-12-08T20:55:20.000Z

Shipping Cost: 4.63 USD

Product Images

DRIVE BY TRUCKERS "LET THERE BE ROCK" 2002 LOST HIGHWAY 2VERS. NM PROMO CD SINGLDRIVE BY TRUCKERS "LET THERE BE ROCK" 2002 LOST HIGHWAY 2VERS. NM PROMO CD SINGLDRIVE BY TRUCKERS "LET THERE BE ROCK" 2002 LOST HIGHWAY 2VERS. NM PROMO CD SINGLDRIVE BY TRUCKERS "LET THERE BE ROCK" 2002 LOST HIGHWAY 2VERS. NM PROMO CD SINGLDRIVE BY TRUCKERS "LET THERE BE ROCK" 2002 LOST HIGHWAY 2VERS. NM PROMO CD SINGLDRIVE BY TRUCKERS "LET THERE BE ROCK" 2002 LOST HIGHWAY 2VERS. NM PROMO CD SINGL

Item Specifics

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: Drive-by Truckers

CD Grading: Near Mint (NM or M-)

Record Label: LOST HIGHWAY RECORDS

Release Title: LET THERE BE ROCK

Case Type: Jewel Case: Standard

Color: Red

Case Condition: Near Mint (NM or M-)

Inlay Condition: Near Mint (NM or M-)

Catalog Number: MRNR 02346-2

Edition: First Edition, Limited Edition, Promo

Type: Single

Format: CD

Release Year: 2002

Language: English

Era: 2000s

Style: Indie Rock, Southern Rock

Features: INCLUDES NON-LP RADIO VERSION, THIS CD IS OPENED BUT UNPLAYED, FROM THEIR “SOUTHERN ROCK OPERA” ALBUM., NOT SOLD TO THE GENERAL PUBLIC SENT TO MUSIC MEDIA ONLY, THIS COMES FROM THE MUSIC LIBRARY OF A NATIONAL RADIO NETWORK., THIS CD IS OUT OF PRINT.

Genre: Rock

Run Time: SEE ITEM DESCRIPTION

Country/Region of Manufacture: United States

Unit Quantity: 1

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