Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola RecordsClick this link for more great Opera and Vocal Records in my other listings! Reiss at the stage entrance of the Metropolitan Opera, c.?1910 OTTO GORITZ, famous German Baritone, and Wagnerian Singer at the METhere with leading tenor Albert Reiss in the Duet Siegfried Mime Otto Goritz - Albert Reiss – Siegfried – Wohin Schleichst Du?Label: Victor – 64215A Siegfried – Wohin Schleichest Du? = Whither Slinkest ThouWritten-By – Wagner*Orchestra – Victor Orchestra*NotesGerman | Duetrecorded Camden, NJ, April 11, 1911.Orig Issue Victor 3 line patent 10" 78 rpm CONDITION: EXCELLENT close to PRISTINE faint scuffs, plays EXCEPTIONALLY QUIETA CHOICE COPYThe tensions brought about by WWI ended many German Singers' Met career in 1917. Accompanist, Frank La Forge later described a party at her home during which the German baritone, Otto Goritz sang a parody celebrating the 1915 sinking of the British passenger ship Lusitania by a German submarine. There were more than 100 Americans aboard. It hardly helped when this incident was publicized, but even without that controversy, anti-German feelings were running high. It was not until 1920 that Wagner was again performed at the Met, and another year before the operas were once again sung in German. Although La Forge never again played for Gadski after that party, he later described her as being considered "the greatest Wagnerian soprano the world had produced."Otto Goritz Real Name: Otto Dietrich Robert Goritz Profile: German opera singer (baritone) (born June 8, 1872 in Berlin, Germany – died April 13, 1929 in Hamburg, Germany)Goritz debuted in 1895 as Matteo in "Fra Diavolo" at the Court Theater in Neu Stelitz, Mecklenburg. Later, he sang in Breslau and Hamburg.Goritz then received a contract with the Metropolitan Opera in New York City, where he performed in 25 operas (mostly German, 1 Italian) between 1903 and 1917, including the leading Wagnerian baritone roles. His greatest success was as Beckmesser in Wagner's "Meistersinger." When the United States joined World War I, the opera stopped performing its German repertory. Goritz was forced to resign, not least because of a rumor that he had sung a parodic song on the sinking of the RMS "Lusitania" at a private party on New Year's Eve 1916. He remained, however, in the United States.In 1919, after the war had ended, Goritz founded the Star Opera Company. The company tried to perform at the Lexington Opera House in German, but a riot on opening night and protests by the American Legion forced it to disband. In 1920 Goritz returned to Hamburg, where he continued to sing at the State Opera House. Goritz, Otto, baritone, * 8.6.1873 Berlin, å 11.4.1929 Hamburg; He received his education through his mother, the singer Olga Nielitz, in Bremen, where he spent his youth. After first appearing as an actor in 1888-90 at the Stadttheater in Bremen and 1892-93 at the Stadttheater in Aachen, he debuted as an opera singer in 1895 at the court theater in Neustrelitz, where he remained engaged until 1899. 1899-1901 he sang then at the Opera House of Wroclaw, 1901-03 at the City Theater (opera house) of Hamburg. During his engagement in Hamburg, he sang there u.a. the father in the premiere of Charpentiers +Louise½, 1903 in the world premiere of the opera +The broken jug½ by Josef Jarno. In 1903 he guested at the Vienna Court Opera. In 1903 he followed a call to the Metropolitan Opera New York (entry role: Klingsor in the Bayreuth prohibited American premiere of +Parsifal½), where he had a very successful career, especially in Wagner subject. As his big games were here the Beckmesser in the "Mastersingers" and the Alberich in the Nibelungenring, where his eminent acting talent was admired. In 1905 he appeared at the Metropolitan Opera in the premieres of the "Feather Mouse" and of "Hänsel and Gretel" by Humperdinck. On 28.12.1910 he sang the Spielmann in the world premiere of the fairy tale opera +Königskinder½ by Humperdinck. In 1913 he created the ochs in the "Rose Cavalier" by Richard Strauss for America, in 1916 he sang at the Metropolitan Opera in the premiere of the opera WidersThe Taming of the Shrew½ by H. Goetz. When entering the US in the First World War, he had to give up his career at the Metropolitan Opera, where he had sang in 14 seasons 23 games in 405 performances (in their New York house). He was sent to a detention center as a member of a hostile country. He tried again after the war to perform in the United States; However, this failed because of demonstrations against him as a German. Disappointed, he left North America and has never returned there. In Germany he sang again in Hamburg in 1920-21, and in 1922-25 at the Groops Volksoper Berlin, where he was heard as Warlaam in 1922 in the premiere of Boris Godunov. At the Festival in the Forest Opera of Sopot, where he had already sung in 1912 the Kezal in the +Sold bride Braut, he worked in 1914 as Kaspar in reFreischntz½, 1921 as Pizarro in +Fidelio½. From his repertoire for the stage are still the Papageno in the +magical tile ½, the van bed in +Zar and Zimmermann½ and the Baculus in the +Wildschntz½ of Lortzing as well as the lamp in +Versiegelt½ by Leo Blech. He was married to actress Emma RahT, who was first in Hamburg, then engaged with him in Neustrelitz. 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Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 24.99 USD
Location: San Francisco, California
End Time: 2024-11-09T18:22:59.000Z
Shipping Cost: 7.49 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, Albert Reiss, Otto Goritz
Format: Record
Material: Shellac
Type: Single
Genre: Classical
Record Label: RCA Victor
Record Size: 10"
Style: Aria, Ars Nova, Ballata, Cantata, Canzona, Chanson, Chorale, Christian, Elegy, Film Score/Soundtrack, Gregorian Chant, Laude, Lied, Lullaby, Madrigal, Mass, Motet, Music Hall, Musical/Original Cast, Oratorio, Radio Play/Show, Schlager, Serenade, Traditional/Vocal, Vocal, Anthem, Christmas, Opera, TV Score/Soundtrack
Speed: 78 RPM
Release Title: Siegfried – Wohin Schleichst Du?
Language: English, German, Italian
Catalog Number: 64215
